Visuals created for the Cineramageddon field of Glastonbury ‘22 (curated by Julien Temple), for projection during DJ sets.
Using a combination of Situationist quotes with a few of Behrens’ own, the concepts behind the Society of the Spectacle are imposed on the digital age via footage of Instagram filters / animal reels, big tech, surveillance and retro technology… There is a guest appearance in the visuals by Ugandan producer Chrisman…